interviews Archives - Travelgirl https://travelgirlinc.com/tag/interviews/ Travel and Lifestyle Magazine Tue, 22 Aug 2023 12:18:21 +0000 en-US hourly 1 https://wordpress.org/?v=6.3.4 THE MARVELOUS MICHAEL FEINSTEIN https://travelgirlinc.com/the-marvelous-michael-feinstein/?utm_source=rss&utm_medium=rss&utm_campaign=the-marvelous-michael-feinstein Tue, 22 Aug 2023 12:14:26 +0000 https://travelgirlinc.com/?p=5038 A Dynamic Force in Music, Michael Feinstein is a renowned artist and musician who is devoted to Keeping the Great American Songbook Alive. The illustrious and uber-talented Michael Feinstein is a dynamic force in the world of music. He is a five Grammy Award nominee and has numerous Emmy nominations for his awe-inspiring PBS television…

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A Dynamic Force in Music, Michael Feinstein is a renowned artist and musician who is devoted to Keeping the Great American Songbook Alive.

The illustrious and uber-talented Michael Feinstein is a dynamic force in the world of music. He is a five Grammy Award nominee and has numerous Emmy nominations for his awe-inspiring PBS television specials. His work as an archivist has made him one of the most preeminent forces in music today. He is a distinguished and renowned performer, a composer and an arranger of his own original music.

Feinstein began his prolific career in his 20’s working alongside the legendary Ira Gershwin. Gershwin’s influence, along with Feinstein’s enormous talent, led the way to a remarkable career. He holds three honorary doctorates and is the noted author of The Gershwins & Me. Michael founded the Great American Songbook Foundation in 2007, which celebrates and preserves its music through educational programs, Master Classes, and the annual High School Songbook Academy. Michael devotes his time, his energy and his talent to numerous worthwhile causes and he serves on the Library of Congress’ National Recording Preservation Board.

Travelgirl: It’s a pleasure to see you again. As you know, I’m a huge fan. You were enchanting in Atlanta. What a performance and your storytelling about former Jewish performers was enlightening and entertaining. We were all mesmerized. The crowd stayed through several standing ovations.
Michael Feinstein:
I appreciate that; I really do. Anytime I can perform the music I love is wonderful. Being Jewish is a part of who I am and life is about building bridges. We all have certain backgrounds and if one looks beneath the surface we find the common bond of humanity that is necessary for happiness and survival. I’m deeply affected by Judaism. It is a religion that at its core teaches about helping others. If one is given the gift of health and any kind of prosperity, it is incumbent for that person to give back in whatever way they can. I am mindful of that. Giving back is a pleasure and a natural thing for me.

When I left my hometown of Columbus, Ohio, at the age of 20, my grandmother had just gone into assisted living at the Heritage House, a Jewish residence for older folks in Columbus. When I moved to California, I started playing at the Jewish home for the aged twice a week. I did that just because I hoped someone would come and play for my grandmother in Ohio. I developed a great bond with the residents and I met amazing people. There was a man in there named Walter Schnell, who was a Holocaust survivor, and to hear his story was something. He was in an internment camp and was sent to a Jewish community in China, and he spent most of his years there. Walter’s stories of survival were so life-changing; how could anyone ever be the same after experiences like that!

My experience at the Jewish home was so powerful. My mother, who is 95, was just accepted as a resident in the Jewish home
and one of the reasons I was able to get her residency there was due to something I had done 40 years ago, without any thought of
reward for it. Life takes unexpected, beautiful turns.

TG: I understand you starting playing the piano by ear as a five-year-old. Your mother Florence was an amateur tap dancer and your father Edward was an amateur singer.
MF:
My parents bought a new house and had saved $500 to buy furniture for the living room. My father impulsively said let’s get a piano because my parents loved music. There was so much music around our house. My mother had been a professional tap dancer until she married. I must have soaked up all of that music. When they bought this upright piano, and started playing the piano with both hands, right off the bat. My father was not home but my mother came into the room and asked me who had taught me to play and I told her no one had taught me. My mother didn’t believe me; she didn’t think it was possible for me to play the piano without some sort of instruction and I was sent to my room for lying.

TG: Whoa, seriously?
MF:
Yes, seriously. I stayed in my room until my father came home later that night and realized I was playing the piano by ear. The ability to play like that is something that has always been with me, and it’s always been natural. I believe in reincarnation so I think I must have come in with some past memory that stuck.

TG: Who encouraged you and did you have a mentor in your early years in Columbus?
MF:
No one really encouraged me. I’ve always been interested in spirituality. I believe that all beliefs fundamentally come back to a single truth. I’ve never been particularly religious but the more esoteric and spiritual aspects of Judaism I find quite attractive. It’s a feeling of being in direct contact with a divine presence.

TG: You moved to Los Angeles when you were 20. How did you meet the widow of Oscar Levant? I understand she introduced you to Ira Gershwin in July 1977 and you became his assistant. You’ve kept Gershwin and their music alive and prominent all these years. Would you talk about those years with Ira and the influences he had on you?
MF:
Absolutely. Indeed I was introduced to Leonore Gershwin by Julie Levant with whom I had become friends by a series of amazing coincidences, even though now I don’t believe in coincidences. The moment I met Ira it felt just as if we were long lost cousins. There was an immediate connection regardless of the fact that he was 80 and I was 20. I began cataloging his phonograph records, which I thought would take a couple of weeks, but I ended up there for six months working just on that project. I would see Ira every day and he became fascinated by this 20-year old kid who knew so much about his work. He was at a point in his life where he thought the world had passed him by. Here was this young man who knew so much about his work, he almost found it freaky in the sense that I knew facts about his life that he didn’t know.

One day we had a gentle argument about what date something had happened. Ira said it was 1930 because this and this had happened, and I told him actually it was 1931 and I found a reference book to show him what the chronology was. Ira said okay, you are right, but you have an advantage over me and I asked what he meant. He told me he had only lived his life, but that I had totally researched it.

We had a very close and loving relationship because Ira had no children. He would have been a wonderful father but his wife didn’t want kids. So I became the surrogate son or grandson that he never had. It was life changing for me because I had moved to Los Angeles less a year earlier playing in piano bars trying to figure out what I was going to do with my life and suddenly things crystallized. I felt I had a greater purpose. I still played in piano bars, which was my main income until I was hired on a full time basis by Ira, and that lasted six years. That period, ages 20 to 26, is very impactful and important in anyone’s life. Those years helped to crystallize a lot of things in my world personally, spiritually and professionally.

TG: You are an incredibly talented performer, a composer, an arranger, a musical director and an author. You’ve received three honorary doctorates, and your book The Gershwins & Me is a best-seller published by Simon & Schuster. Which of one of your numerous talents most defines you? If I asked you what you are, what would you say?
MF:
I would say LUCKY! I’ve been very lucky. I’m a singer, an interpreter of American popular song and a conservator of it. I’ve amassed this huge collection of music and artifacts relating to this music just to save and preserve it. I’m lucky that I can perform the music that I love because the world and the audiences are changing. I was in my late 20’s when my career began to garner national attention and yet I discovered music finds new fans. It doesn’t diminish in power.

TG: Please talk about your latest album, Gershwin Country.
MF:
That was one of my most fulfilling projects in that it was unlike any other recording I’ve even done. Most of the other recordings I have created were completed rather quickly because most are taped live and are comparatively easy to create. Most pop records are built through production. This Gershwin album was certainly a departure for me in many ways. One, I had never done anything related to country music, and two, it was an album of duets. I had never wanted to record an album of duets because I usually found they were created for cynical reasons, for reasons of commerce.

This album was one I put together because I felt that Gershwin’s music was a certain kind of Americana as is country western, country as we call it now. It seemed like the album could be a bridge in combining two styles of music and genres that I thought could be complementary. Many of these songs were written for the stage and were created as duets. That seemed to be another element that would make organic sense. The hardest part of putting together a duet recording between a man and a woman was finding complementary keys. Usually a woman’s keys are four or five steps away from a man’s. These duets were very carefully created with vocal lines and harmonies so it’s a true collaboration. It had a real purpose of combining the emotion of two different hearts and souls to tell the story.

TG: You’ve joined forces with Jean-Yves Thibaudet presenting Two Pianos: Who Could Ask for Anything More. Please talk about the collaboration and what sparked this amazing collaboration?
MF:
Johnny Thibaudet is one of the greatest living concert pianists. He truly is a global sensation in that he plays concerts in every corner of the world. He plays a varied repertoire. In other words, many concert pianists will do a tour where they play the same repertoire with an orchestra in recitals in different cities; it’s one program. He plays multiple programs with great depth and interpretive brilliance and his musical palette is very, very broad.

We’ve been friends for 30 years. We became closer through the years and talked about collaborating but couldn’t figure out what it would be because our worlds are so different. Our approach to music is different. I play mainly extemporaneously, and he doesn’t.

He plays mainly what’s on the page better than anybody. We realized that the bridge of Gershwin was a common bond. When he was 13 growing up in France he discovered the world of Gershwin and it changed his life. I had the same experience.

It was that shared love for something that transcends culture and time and space that brought us together. We put together a program that is primarily American popular song although it does include Rhapsody in Blue, and we present the music largely played on two pianos. Gershwin loved two pianos and often wrote for two pianos and then I sing, of course.

The Gershwin songs, along with the music of Richard Rogers and other composers of the era, are presented in a style that is in some ways more authentic to the composers original intention but also has more of a contemporary sensibility to it. The programs have been received rapturously. We just did two nights with the Boston Pops, which was our first incarnation of this program with a symphony orchestra and there was pandemonium in the audience. The reaction was so fervent and touching and we are definitely on to something, and we are thrilled. It brings together two different audiences that seem to be very complementary.

TG: I spent a day interviewing your dear friend Liza Minnelli. Please talk about Liza and your upcoming touring show, Get Happy, a tribute to Judy Garland.
MF:
I’m very proud of this program that pays tribute to Judy Garland. It’s one of the hardest things I’ve ever had to assemble. The enormity of her talent and legend is such that I didn’t know that I had the wherewithal to properly convey her greatness. It truly is because of Liza that I continued to pursue the project because I was ready to give it up at any point if I couldn’t give it justice. I didn’t want to do anything that was half baked. As I continued to assemble the program, as I figured out what it should be and shouldn’t be, I enlisted the aid of several wonderful people including John Fricke, who has an archive of thousands of photographs of Garland and Judy Garland’s family. That stockpile of material along with things that Liza and her family made available to me helped me to assemble a program that is very historical and very entertaining with anecdotes. It celebrates the incredible art that she, as a performing artist, displayed even from her earliest years. I realized that I had the opportunity to tell her story focusing on the talent, her singing and her legacy as opposed to the tabloid stuff.

It celebrates Judy Garland; it doesn’t whitewash anything, but it focuses on the enduring part of her legacy. The response of people in the audience has been quite extraordinary. There is something about her energy that is very personal to people and very powerful. There are numerous visuals in the show, several film clips and there’s audio including a lost recording of hers that I found and in which I accompany her. The cumulative effect is extraordinary. Part of the time people are looking at the visuals while I am singing and I don’t mind that at all because the show is about her and I am the tour guide, if you will.

TG: Your bio is so prolific it’s hard to put it all into an interview. Your Emmy Award-nominated TV special, Michael Feinstein – The Sinatra Legacy, which was taped live in 2011 was a huge success. You were the Principal Pops Conductor for the Pasadena POPS and you serve as Artistic Director of the Palladium Center for the Performing Arts in Carmel, Indiana Indiana. Your performance schedule is extraordinary. Where does this incredible energy and passion come from?
MK:
Well, thank you. As far as energy goes I believe the universe provides infinite energy and one of the feelings of contemporary society is the lack of and recognition of the understanding that there is a source of infinite energy that is available to us. I focus on that spiritual energy. Having the great gift of being able to do something I love isn’t something I do not take for granted.

TG: I’m a huge fan of the Great American Songbook. Please talk about your passion for preserving the music and songs of the Great American Songbook and created The Great American Songbook Foundation, which you founded in 2007.
MF:
The Great American Songbook Foundation is something I created a number of years ago for the purpose of preserving the American popular music that is so important to me. I felt it was in danger of disappearing in that someone needed to bring attention to the music for younger generations. I created it to not only preserve the amazing artifacts that I’ve accrued through the years but also to educate and introduce young people to the songbook.

I find that when young people hear these songs they like them; they respond to them. They have meaning and resonance and this music takes its place next to whatever pop music they listen to. I felt it was created just to preserve something that mattered to me where I felt there was a need for an organization to focus on that.

The foundation has grown by leaps and bounds. We are building a museum. We are proud to be a Grammy Foundation affiliate and only a few other museums can claim that honor.

In addition we created a summer academy, The Great American Songbook Academy. Forty young people from all over the United States come and participate for one week. It is songbook intensive and they learn about American popular music and thus they can add this music to their lives. Through music you can create healing; you can teach anything and music has the potential to offer tremendous transformation and that is certainly a mission for me.

TG: Please tell us how to contribute to this noble cause.
MF:
At its core music is one of the most important forces in the world, in the universe. In its most simplistic terms think of soldiers going off to battle bolstered by the music that is being played as they march. The music transforms, heals, inspires, raises consciousness, and offers hope. All of that is encoded into any given piece of music. To bring awareness of this, especially to young people, is a holy pursuit.

Like all nonprofit arts organizations we are always happy for like-minded souls to contribute in any way they see fit. People tend to devalue the arts. People don’t think that contributing to an arts organization is as important as contributing to a cancer or similar organization but they both offer healing in different ways. To me they are equally important.The arts unites people from different backgrounds and helps them find common ground. It transforms and heals. I’ve seen it time and time again, starting with those days when I started playing in convalescent and retirement homes. I saw many whose quality of life improved through music. There is research that shows that people who have music played during their last days on earth need 40 percent less medications. There are scientific proven effects of music played for people who are ill and going through transition. It is all quite extraordinary. The experience of being involved in music is the greatest blessing of my life.

TG: Your travel schedule keeps you constantly on the road. Is there one item one of the most legendary performers never leaves home without?
MF:
I am vegan and I never leave home without protein powder. I also have a deck of oracle cards that I travel with called The Cosmic Deck of Initiation because it moves me to my heart. I also always have that, and a little book called The Quiet Mind.

TG: Your music has made a difference in the lives of so many people. Your preservation of the Great America Songbook will last the test of time, and we’re very grateful. Thank you.

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Marsha Mason https://travelgirlinc.com/marsha-mason/?utm_source=rss&utm_medium=rss&utm_campaign=marsha-mason Tue, 22 Aug 2023 11:19:43 +0000 https://travelgirlinc.com/?p=5025 Marsha Mason talks Broadway, auto racing, farming and Paul Newman The marvelous Marsha Mason has been enormously triumphant in several wildly varied careers. She was nominated four times for an Oscar for her performances in Cinderella Liberty, The Goodbye Girl, Chapter Two and Only When I Laugh. She’s also had an extensive Broadway and London…

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Marsha Mason talks Broadway, auto racing, farming and Paul Newman

The marvelous Marsha Mason has been enormously triumphant in several wildly varied careers. She was nominated four times for an Oscar for her performances in Cinderella Liberty, The Goodbye Girl, Chapter Two and Only When I Laugh. She’s also had an extensive Broadway and London stage career, wowing audiences when she starred in Cinderella Liberty, Cactus Flower, The Prisoner of Second Avenue and Steel Magnolias. Her work with her then-husband, Neil Simon, is legendary and he based some of his plays on their relationship, most notably Chapter Two. She’s also appeared in several films including Blume in Love, The Cheap Detective, Frasier (receiving an Emmy nomination) and most recently appearing as Arlene in the Netflix series, Grace and Frankie. She’s been an organic farmer, a successful race car driver, an actress and a director. Travelgirl’s Renee Werbin recently caught up with the exuberant and talented Marsha Mason who resides in Connecticut.

Travelgirl: I’m so happy to see you again. You have had so many different careers. You were an organic farmer, a race car driver, an award-winning actress and director.
Marsha Mason:
I’ve had a very full life.

TG: Which career was the most fun and which defines you the most?
MM:
Acting and directing are the most fun but they are hard work. Your stamina has to be in order; you have to be in good shape to do eight performances a week. Recently I directed and starred in Lost in Yonkers for the stage, and we had a big, huge success with that. The acting, in terms of my career, was the most defining.

I had such enormous success with Cinderella Liberty and I wasn’t really ready for the success that happened so quickly; it scared me. I didn’t know how to handle it. I was naïve and I needed to grow up, which I was able to do that on the farm.

My then husband, Neil Simon, was a great protector. When I look back now, I think one of the reasons we worked so well together was because I felt so protected by him; ultimately a little too protected because Neil was so controlling. It was a wonderful relationship and I don’t regret any of it. I gained two beautiful daughters, Ellen and Nancy, whom Neil was raising alone after the death of his wife. The girls are still close to me today and now we have grandchildren and a great-grandchild. The girls and I love each other and that’s really cool. I gained so much experience in those years.

TG: You were marvelous in the role of Arlene on Grace and Frankie. It must have been enchanting working on the set with those two great actresses. I interviewed Jane Fonda for a Travelgirl cover years and years ago and she was an absolute treasure.
MM:
Jane Fonda and Lily Tomlin are the cutest, totally charming, most down-to-earth fabulous women. I am in awe of both of them, especially because of their energy and their commitment, which is so strong. I think it’s phenomenal to me at their age what they have accomplished and what they are still accomplishing. They are wonderful to work with. Both are gracious, kind and considerate and I enjoyed every moment of working with them.

TG: You built a very successful business and a beautiful home during your time in Santa Fe.
MM:
I did. I loved my time there. I built an Argentinean estancia and I started growing medicinal, organic herbs and became a biodynamic farmer. I began growing the business by selling fresh herbs to a man named Daniel Gagnon. I developed my product line with Mitch Coven of Vitality Works. He was making individual products for private label companies and I sold my products to him for a couple of years. The products were marvelous.

I remember when I was heading to London with Richard Dreyfuss to perform in Prisoner of Second Avenue. I thought since I’m going to be in a 400-year-old theatre – the RoyalHay Market – I knew I was going to need something for my immune system and my voice. So we, with my team in Santa Fe, created a salve for our hands. I was ahead of the curve with my medicinal products. I started out locally and then we started giving lectures for the Vitality Works people. We even created a skin and body care line using fair trade shea butter as the base and adding my herbs.

TG: Your organic farm became wildly successful, didn’t it?
MM:
It did and in the process, I fell in love with and found my signature herb. It is called Spilanties and it is native to South America. It is called the toothache herb because it is anti-viral and anti-bacterial. The tribes in South America would put the flour from this herb on their teeth if they had any kind of infection. We obtained some seeds from a European company and started growing Spilanties and it became our signature herb in everything that we made.

TG: Do you still own the company?
MM:
No. I sold the farm in 2014 and then I sold off the products. I still have all the recipes. What was really extraordinary, in those 20 some-odd years, was that the farm matured me as an individual. I learned to be an entrepreneur, a businesswoman, and I gained a great deal of patience. I learned to have patience. I feel the experience on the farm turned me into a better actor and a better director.

The business changed in the late 80’s and 90’s and I was missing both the theatre and New York. I started thinking about selling the farm. It took quite a while for me to make the move because I had built a big operation. I found a wonderful person who bought it and she and her husband have kept it as a farm, which is what I had hoped would happen. The land out there became desirable and people started buying it up to build houses and I didn’t want the farm to disappear. Fortunately, it’s still there and it looks beautiful. The couple who bought it has done phenomenal things; they still grow medicinal herbs. They grow organic alfalfa, because we did. They’ve practically put the whole farm on solar power.

TG: How did you get into race car driving? I know Paul Newman was the impetus and you were good friends.
MM:
I was on a plane with Paul going from New York to Los Angeles. Paul was going out to Riverside in California because they were closing a racetrack and he invited me out to watch him race.

I was interested and that interest was sparked when I was in high school. My best friend’s father had a track outside of St. Louis. We spent our Sundays handing out Pit Passes to the guys who raced. There was just something out there in that environment that intrigued me. I remember looking at the way the men would wrap individual pieces of their engine in oil cloth; they took really good care of their cars. I vividly remember their intense concentration. The smell, the speed, the whole thing captured my imagination.

I had totally forgotten about those days. Whenever I could, I would fly out to wherever Paul was racing. I bought a Mazda RX3, met LA lawyer Marc Staenberg and he suggested we team up. Together we created a mom and pop operation. I enrolled in a driving school, which I didn’t even know existed. I took a course at the Bob Bondurant School, then went to Skip Barber Racing School.

I then met Mike Lewis, an SCCA (Sports Car Club of America) champion. Mike built me my own Mazda GT3 car and I drove his old championship car for a couple of seasons. I had gotten into car racing in a serious way. We had three cars, a truck and a crew and for a long time I was a race car driver!

TG: Would you get into a race car today?
MM:
I actually signed up for a race in May. I’m going to try and see what happens. I could never race competitively again because I think our reflexes are slower as we age but I want to see if everything I learned about driving is still at my fingertips.

TG: You should have been on every magazine cover in the world when you were racing. Not that many women get in race cars even today and in those days, you were the girl!!!
MM:
I have a vivid memory of being in Monterey and the men around me at the track weren’t quite sure what to make of me. I stayed out of their way and I learned. Eventually Mike Lewis and the crew encouraged me to become competitive and I started to pass these guys. On the track I had a couple of accidents that were not my fault, but I was very calm and collected and handled it all very well.

TG: How did you meet Neil Simon?
MM:
I met Neil the first day of rehearsal on The Good Doctor. I auditioned for him. My agent had encouraged me to audition for a Broadway show. I auditioned and read the governess part and had to read it cold because I hadn’t prepared it. I read and went back to my agent’s office and thought I would receive a call back and my agent laughed; she told me they had already hired me. I made it on Broadway on my first try. I packed up everything I owned and moved back to New York. I went into rehearsals on October 3 and Neil and I were married on October 27 — two weeks later — and we lasted 10 years. We raised the girls and did wonderful work together and had immense respect for each other.

TG: Tell me about The Goodbye Girl.
MM:
That was a wonderful experience. The original script was called Bogart Slept Here, which was a loose adaptation of Midnight Cowboy. It was based on the idea of a young actor with a family getting a chance to do a big movie and becoming an overnight success.

Neil rewrote the story and it became a whole new movie. I auditioned with Richard Dreyfuss and we had this immediate chemistry. We didn’t know each other but the chemistry was there. It took us all —Richard, me and Ray Stark (the producer) and Neil — by surprise. Ray hired Herb Ross to direct and he quickly hired Quinn Cummings to play the little girl and in those days you could rehearse. We were on the set rehearsing before we started the picture. We went to New York to do the exteriors and went back to LA to finish up. We had no idea if the film would be successful but fortunately the universe was with us. All the cards seemed to indicate that people were happy to have a movie they could take their kids to. All the single mothers totally related to my character’s, Paula’s, problems. The success of The Goodbye Girl wasn’t something we had anticipated.

TG: What’s next for the illustrious Marsha Mason?
MM:
I’m in talks with the Hartford Stage Company to do a play there for the 24-25 season. I am very busy working on a project with a workshop about two young boys in Australia in the 1950’s who competed for the Olympics. One of the boys ended up choosing to attend Harvard instead of being in the Olympics. It’s sort of a biographical story of a boy and his journey.

It was originally a film and one of the producers suggested making it into a play and the playwright, who coincidentally also wrote Drop Dead Fred, called me. We started working on the script together and found we had a very good creative partnership.

I went to Montreal and worked with a wonderful circus group, who through their actions on stage, I realized I could handle both the physicality and the emotionality of the play. My next step is to do a integrate both in a workshop. The Alley Theatre in Houston is intrigued and excited about the possibilities of this play and is willing to give us a workshop. I just need to raise more money to pay the acrobats. As you know, nonprofits are having a bit of a hard time now.

We are also working to see if we can turn Drop Dead Fred into a musical. We will see what happens. Meanwhile, I’m reading plays and I’m still auditioning and probably will go out to LA for pilot season. We will see.

TG: You can be sure Travelgirl will be watching!!!

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Keeping Up With: Céline Dion https://travelgirlinc.com/celine-dion/?utm_source=rss&utm_medium=rss&utm_campaign=celine-dion Fri, 31 Mar 2017 22:24:23 +0000 http://travelgirlinc.com/?p=3525 The post Keeping Up With: Céline Dion appeared first on Travelgirl.

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Travelgirl Céline DionShe’s a working mom, a superstar performer and a trendsetter when it comes to lifestyle fashions.

Her well-respected stage work set the tone for her phenomenal launch into designer handbags, luggage and accessories. The two-time Travelgirl covergirl is an unparalleled overachiever.

See her at Caesars

The legendary Céline Dion’s inaugural performance at The Colosseum at Caesars Palace happened on March 25, 2003. In fact, the venue was designed and built especially for her so that every audience member would have a clear view of the stage. Two hundred acoustical panels were installed to control the amplified sound, and a state-of-the-art humidity control system was put in to help protect the star’s voice.

Her original show, created and directed by Franco Dragone, ran for 717 sold-out performances. Céline took a three-year hiatus and returned to the famed Colosseum on March 15, 2011. The show — not surprisingly — garnered unprecedented rave reviews. On Oct. 8, 2016, this amazing working mom celebrated a significant milestone as she performed her 1,000th show at her beloved Colosseum.

Even if you’ve seen her in other venues, there’s nothing like the electrifying Vegas performance at Caesars Palace. Celine’s current show, directed by Grammy Awards producer Ken Ehrlich, comprises a kaleidoscope of her favorite hits. It’s a musical parade of timeless standards by several iconic artists that spans decades and celebrates all music genres.

The Céline Dion Collection

She’s not only a powerhouse on stage, but also when it comes to lifestyle trends, and we’re delighted to share the highlights of her latest accomplishment, her own brand of handbags, luggage and accessories.
The Céline Dion Collection is the latest chapter in her 30-year career that includes five Grammys, two Oscars, selling more than 200 million records and winning seven American Music Awards.

The luggage and accessory collections will be unveiled at the International Travel Goods Show in Las Vegas in April 2017.The luggage line features 13 stylish, three-piece sets of soft and hard luggage while the accessory line will include belts, leather bracelets, wallets, phone and tablet cases in both leather and faux leather.

It’s something Céline Dion and fashionistas around the world have been waiting for — the Céline Dion Collection will hit stores in September. The complete line of more than 200 pieces of high-quality, exquisite handbags, elegant luggage sets and must-have accessories won’t be available for a couple of months but Céline Dion, who cares deeply about her fans, is offering a pre-sale of four exclusive bags on her web store at www.celinedion.com.

Described as “bold,” “feminine,” and “sophisticated,” the entire collection took four months to develop and was conceived in collaboration with the world famous bugatti Group. The Quebec-based bugatti Group’s design team incorporated every element that echoes the Canadian chanteuse’s preferences and sense of style without compromising functionality and practicality.

The four pre-sale bags include one item from each of the Cavatina, Vibrato, Octave and Pizzicate collections. Each of these bags is more beautiful and functional than the other and represents the singing sensation’s unique style and positive attitude toward life.

A Childhood of Love and Music

One of 14 children, Céline was born into a very loving family and realized early on that she could sing beautifully. “When I was five years old my brother Michel asked me to sing at his wedding and everyone there told me I sang really well. That was the first time that I realized I had a good voice.” Her parents were wonderful role models, says Céline. “My mother is amazing. She took care of 14 children and never complained about a thing. She and my dad gave us so much love growing up.”

Céline met the love of her life, René Angélil, when she was only 12 years old. René mentored the young Céline after he listened to a tape of her music sent to him by her brother, Michel. Angélil became her manager and guided her into superstardom. Although 26 years her senior, René became the love of her life and the two married in 1994. Proud parents of three sons, René-Charles, who was born in 2001, and fraternal twins Eddy and Nelson, who were born in 2010, her beloved René lost his long and courageous battle with cancer on Jan. 14, 2016 at the age of 73.

“We are healing each day,” she told “Us Magazine” in an interview. “My kids are doing really well and eventually you have to just move on. Yesterday is over, tomorrow is not here yet, so today is today.”

A devoted wife and adoring mother, Céline always puts her children’s needs first. “I’m sure I speak for all moms out there, it’s a lot harder to be a mom than it is to do a job. A mom’s life is 24/7.  A job you can leave behind when the day’s work is done. It’s the same for a singer,” she says. “When I come off the stage, or I leave the theatre or recording studio, I don’t think about it anymore but I’m always thinking about my children.”

Céline Dion’s Pre-Sale

Céline Dion Collection
Photo by Denise Truscello

For her fans, the pre-sale of four items is exciting.  The first bag is named after the natural phenomenon “The Octave Relationship,” which is also known as the “basic miracle of music.” This collection embraces what Céline Dion is all about. It’s effortlessly chic with a touch of greatness. The octave collection is the “pièce de résistance” of the collection.

Made of soft leather, this double handle satchel opens up onto a main compartment and is fastened with a brush gold hardware featuring the CD logo. It comes with an adjustable and removable shoulder strap and is available in sand, black, grey, bordeaux and winter white. $298 US; $398 CAN.

In music, the staff is the set of five horizontal lines containing notes, rests and musical symbols. These lines that look inconsequential are the beginning of magical sounds that could become legendary. It’s the same with the Vibrato collection. It’s all about the power!
Made of quilted sheepskin, this multi-pocket bag has horizontal quilted detailing and zips up thanks to the light gold hardware closure. This spacious, and frankly beautiful bag, is available in black and chocolate. $268 US; $368 CAN.

Redesigning femininity, the Pizzicato collection offers a classic look with a new edgy dimension, which is so Céline Dion! With a pinch of metal hardware reminding us of the keys on a guitar, this collection embodies cool femininity.

Made of faux leather, this hobo bag with a top magnet closure has a front side stud detailing in a mixture of light gold, silver and gun metal colors. With a removable interior pouch and a multi-colored pom pom, this bag is available in black, purple and teal. $108 US; $128 CAN.

Refined in its simplicity, Cavatina is a staple collection that matches any style. Empowering by the choice of polished leather and the sleekness of its physique, the Cavatina collection is a practical yet gracious companion for the hands-on Céline woman.
The fourth item offered in the pre-sale is a top grain leather wallet that features a zip-around closure that opens up onto two compartments that will hold 20 cards. It is available in black and bordeaux and priced at $88 US; $108 CAN.

Meet the Collection

The entire 200-piece collection was designed in Canada and made in some of Celine’s hottest fan-based destinations, including Canada, Europe and Asia. Each piece is inspired by Céline’s love for fashion, art and music, and the collection offers premium quality accessories at a range of price points to appeal to women from around the globe and from all walks of life. Céline’s appeal is universal and so is her collection.

The handbag collection is comprised of 25 different stunning lines and made up of nappa, cowhide and lambskin leather as well as sheepskin, embossed suede, faux leather and nylon. The lines are available in an array of different color palettes, including black, grey, navy, burgundy, teal, taupe, tan, chocolate, blue and purple. Prices of the handbags range from $78 to $1,998.

The bugatti Group was Céline’s choice of a design partner because the company’s global vision brings more than 75 years of high quality, well-designed and meticulously crafted luggage, travel bags, computer bags, handbags and briefcases to the needs of customers around the world.

Tickets for Céline at The Colosseum at Caesars Palace are now on sale and may be purchased in person at The Colosseum at Caesars Palace Box Office by calling 866-320-9763 or online at 
www.thecolosseum.com or www.axs.com.

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Sarah Meahl: Life is a Stage https://travelgirlinc.com/sarah-meahl/?utm_source=rss&utm_medium=rss&utm_campaign=sarah-meahl Thu, 09 Feb 2017 18:04:51 +0000 http://travelgirlinc.com/?p=3500 The post Sarah Meahl: Life is a Stage appeared first on Travelgirl.

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Sarah Meahl
Photo by Justin Patterson Photography

The Secrets of a Broadway Dancer

Sarah Meahl had a secret; so did her mother. Sarah’s secret was wanting to dance on Broadway. Her mother, Kelly’s secret was financial. “She was taking money out of all these different accounts so my dad didn’t know how much they were spending on dance lessons,” Sarah says with a laugh.

Years later it all came together as Sarah landed a leading role in Cirque du Soleil’s “Paramour” on Broadway. Sarah, who plays the second female role – is also the understudy for the top role. A few weeks into the run, in the Broadway tradition, the lead was off and Sarah was the star. Her parents happened to be in the audience. “When I took my final bow, it was terrifying. I saw my parents, I just lost it. I did it. I was dancing on Broadway, but it was the fruit of all of our labors.”

Sarah wanted to be a dancer before she was even potty trained. “I was a pushy two-and-a-half year old and wanted dance lessons,” she says. “But I had to be potty trained and I wasn’t. I promised my mom there would be no accidents. Even at that age I loved dancing. By the time I was eight, I knew I wanted to be a dancer.”

One of her dance teachers, Miss Denise, changed her life. “I studied her posture, how she talked and did her hair. She had danced at Disney World, which was really cool,” she says. Kelly took Sarah to watch the Disney dancers. “It was magical. I loved the dancing and the costumes. Early on I became aware that the dancers and actors had a job. I could make money dancing. My goal was to dance at Disney.”

Her first professional gig was playing Barney when she was 12. She won dance contests and practiced incessantly. She danced at Disney World and did commercials. “It was enough to start accruing points for my Equity card. I was very focused.” Her father, Rick, worried that she was “putting so much into dancing. I don’t think he ever saw where it was heading until I went to college. When I was 21 my father saw me in “Cats” and saw I could do this. It only took him half of my life to realize that I was serious,” she says laughing.

Sarah Meahl on Broadway
Cirque du Soleil “Paramour” Sarah Meahl on Broadway at the Lyric Theatre Photo: Richard Termine

Goodbye Disney, Hello Broadway.

When she was 13 her parents took her to Broadway to see “The Lion King.” It was life changing. “I didn’t know what Broadway was. I didn’t know there was anything bigger than Disney. By that time I had been dancing for 11 years. I looked at those Broadway dancers and thought ‘I can do that! I am doing that!’”

And, that is when the little secret was born. “I knew I could do it. I was sitting in the audience watching and I knew I would do it. I didn’t want to tell anyone,” she recalls. “I didn’t want to put this goal on a pedestal. I didn’t want it to be so far out there that you think it’s out of reach. My mom always told me that if you believe in yourself you can do anything – and I believed.”

Sarah pursued her dream with more dance lessons and added voice and acting lessons. She auditioned at Point Park University in Pittsburgh for both dance and musical theater. She was rejected for dance but accepted into the musical theater program. “The school rejected me in dance because they wanted me in musical theater where I would get more acting and voice lessons.” Dance was her minor, her focus was on old school jazz. “I worked hard but I knew it would pay off.”

It did. She headed to New York City right after graduation and booked her first job. “Lucky, not normal. I had one stellar audition and hit the ground running.”

She toured the country in regional theater until she built her resume up enough to get in the door for a Broadway audition. She told her agent she wanted to stay in New York and be on Broadway.

Cirque Du Soleil was auditioning for “Paramour,” a Broadway musical with (naturally) incredible acrobatic and gymnastic stunts. Sarah, a trained gymnast, was hired for the ensemble and then the understudy job for the lead. During rehearsals it was obvious that a second female lead was needed. Sarah got the part and helped create Gina. “She’s from Long Island and Marilyn Monroe is her idol. She’s got sex appeal and sass but she’s not a floozy. She knows where she’s from and doesn’t care that someone thinks less of her. I made her up and I learn from her.”

While “Paramour” was successful and planned on running for years, the theater was bought out by the Harry Potter musical for $25 million and “Paramour” will close – for now. There is talk of moving to another theater and also opening in Germany.

Sarah Meahl Paramour
Cirque du Soleil “Paramour” Sarah Meahl as ‘Gina’ Photo: Richard Termine

New Goals

But ever the Broadway trooper, Sarah is moving on. She has already booked a “dream role” in one of her favorite shows at a summer stock theater. “This is the life I choose and I trust that, if I work hard and I am kind, I will book my next show. You have to move on and have faith.”

Ironically, when she formulated her secret, it never was playing the Broadway lead. “I never aimed at the lead, I just wanted to dance and, as a dancer, you get more roles than being the star. I fulfilled my dream and have to set new goals.”

Some of those goals include doing commercials, fitness modeling and teaching. She is even considering opening up a dance studio. She would love to go back to Broadway, especially in a revival with classic choreography.

Her favorite place to work is St. Louis. “I’m never so happy as when I’m at the Muny, an outdoor theater. It’s just lovely.”

She also hopes to perform in New Orleans, as well as Chicago (where she has family) and Orlando. “I grew up around there and my parents live near there.”

Her family traveled often. “We call ourselves the Meahls on wheels,” she says laughing. Venice is the family’s favorite spot. “I love the gypsy life. We were always traveling.”  Whether it’s on vacation or touring, she likes to see the landmarks and museums but also go native. “I’ll ask Facebook friends where’s the best place to get a cup of coffee or someplace where actual locals go.”

However, when she’s homesick, she has a cure. “I go to Target because it reminds me of Florida and shopping with my mom. It makes me happy. And, I go to Starbucks because it is a nice, safe, comfy place and it is familiar.”

As she plots her next moves toward stardom, Sarah knows that she made her secret dream a reality. “Being in the show you make people happy and you take them away from their troubles. It’s an absolute joy,” she says. “I love hitting the beat and telling stories. Maybe those stories gave them hope, made them stronger or maybe just made them call their mom.”

She adds, “Being on Broadway is a gift and I enjoy every minute and I know the next great thing will come.”

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Marlo Thomas: She is still “That Girl” https://travelgirlinc.com/marlo-thomas-she-is-still-that-girl/?utm_source=rss&utm_medium=rss&utm_campaign=marlo-thomas-she-is-still-that-girl Wed, 14 Dec 2016 18:24:00 +0000 http://travelgirlinc.com/?p=3428 The post Marlo Thomas: She is still “That Girl” appeared first on Travelgirl.

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Marlo Thomas

Her smile is known worldwide, both for her performances and for the passion she brings to her father’s legacy: St. Jude Children’s Research Hospital.

Along with her siblings, Terre and Tony, Marlo Thomas carries the torch in the fight against childhood cancer. This is the perfect season to join That Girl and open your heart to help St. Jude kids. Marlo shared some thoughts with Travelgirl Publisher Renee Werbin.

tg: What was it like growing up with such a celebrated father?

Marlo: We weren’t under the impression that we were living with Danny Thomas. We were living with our dad.  It never seemed unusual to us; it was normal. I had a mom and a dad, a sister and a brother. We went to school; my father went to work; my mother stayed home and we went to Mass every Sunday as a family. We had brunch afterwards together. The reason it appeared normal is because it was normal. I don’t think there was anything too exotic about my childhood except for the fact that my father was on television.  My father and mother didn’t seem any different than my friends’ parents. They were nice and thoughtful and they drove us to school; they made our Halloween costumes and they took us trick-or-treating. It looked normal because it was.

tg: It’s an honor to promote St. Jude and to recognize your tireless devotion. What was your father’s inspiration?

Marlo: My father grew up very poor. He and his family were immigrants from Lebanon. They didn’t have any money and my grandmother had 10 babies; all born at home without a doctor. The children never went to the doctor or to the dentist. In fact, my father had false teeth later in life because he never saw a dentist as a child.
There were many children in his neighborhood in the same condition with immigrant parents. Children in the neighborhood died from things like appendicitis and influenza and accidents, all without a doctor.
My dad had a front seat at the inequity of health care in this country. As he grew up he thought about that a lot. When I was about to be born it was going to cost $50 to get me and my mother out of the hospital and my father had $10 to his name.
He was a struggling actor and radio comedian. He had no money and he went to church that Sunday. The sermon was on St. Jude, patron of the hopeless cases. My father prayed to St. Jude and said who was more hopeless than I am? I have $10 and I need $50 to get my family out of the hospital. He was terrified that he was going to grow up and be on welfare like his father was (at that time they called it relief) and was afraid he would not be able to provide for his family.
He prayed to St. Jude to give him a sign that he was going in the right direction. He said he needed $70 to take my family out of the hospital and to have food for them.  He prayed if St. Jude will just give him a sign that he would someday build a shrine in his name. St. Jude was a forgotten name, because his name was so much like Judas, the betrayer at the Last Supper. The next day was a Monday and my father received a phone call that he had gotten a radio job as a singing toothbrush in a commercial and the pay was $75; he had a sign.
He followed those signs all through his life. When he became very successful he decided he must pay St. Jude back and build that shrine but the shrine he had in mind was just a little statue in a courtyard.  Since he had gotten so famous and so successful, he decided he would do something bigger. He wanted to build a hospital for children with hopeless diseases where nobody would ever pay and that became St. Jude Children’s Research Hospital.

tg: I applaud your father’s achievements and your determination to follow in his noble footsteps. You give the precious gift of hope to children and families. How can our readers help?

Marlo: The best way is to donate because no patient pays. It costs us $2.5 million a day to operate St. Jude. Our lifeblood for the hospital is the pubic funds. Because we are not-for-profit and nobody pays, we have to obtain 78 percent of our money from the public. A regular hospital, a for-profit hospital, only has to get about 8 percent of their money from the public.
We are completely dependent on public funds because we don’t have any paying customers.The best thing to do is to go online to St.jude.org and donate. People can also host events in their town, have a little party or a tea and also be part of the St. Jude Walk. There are many ways to participate in helping St. Jude but donating is the most important thing your readers can do.
I will tell you something my father used to say that I think your readers will appreciate. He used to say “There are two kinds of people in the world: the givers and the takers. The takers may sometimes eat better but the givers always sleep better”.

tg: Travelgirl readers want to know your favorite travel destinations. Where do Marlo and Phil go when they want to get away?

Marlo: We love St. Barts, Barbados and Italy. Those are our favorite places to go.

tg: Do you have a travel bucket list?

Marlo: We have talked about taking a safari and we also want to go to the Galapagos Islands. Those are two places on our bucket list.

tg: Is there one item you never leave home without when you are packing to take a trip?

Marlo: Yes, my own pillow; I take it everywhere I travel.

tg: I’ve read that acting is your first love. In the past few years, you’ve had great success appearing on and Off-Broadway in New York. Do you prefer stage or screen?

Marlo: They’re completely different animals, and I love each one. In film and TV, the camera is up close, so the actor gets to convey more intimate thoughts and feelings. And, of course, in TV and film, you can do a scene several times until you and the director are satisfied.
But if I had to confess a preference, I’d say that I find stage work more rewarding because it’s all happening live–you’re living the character in real time, in the precise chronology that the playwright intended. And you also have the exciting challenge of connecting with a live audience every night, holding their attention and their interest for a few hours, and telling the whole story.  I feel most alive when I’m onstage. It’s very exhilarating—and I’m the happiest there.

tg: I was a big fan of That Girl. Please talk about the impact that show had on your life and your career. The show is almost 50 years old and still resonates today.

Marlo: When I first came up with the idea for That Girl, I was basically creating a character [Ann Marie] who reflected my own life: a young, independent, struggling actress – whose eyes were on the horizon, not the hearth. At the time, all of my girlfriends were getting married – I was a bridesmaid 17 times! – but I had no desire to settle down myself. I had read The Feminist Mystique by Betty Friedan, which had opened my eyes to the women’s movement that had been bubbling beneath the surface for years and was on the brink of breaking through. As the producer and star of That Girl, I was hoping for a show that everyone liked. But the enormous impact it had on the culture – and the thousands of letters we received every week from women who identified with Ann – proved to us that there were That Girls all across America. Ultimately, the show would connect me with the emerging feminist movement, which nurtured in me a social conscientiousness that has been a huge part of my life.

Ultimately, the show “That Girl” would connect me with the emerging feminist movement, which nurtured in me a social conscientiousness that has been a huge part of my life.

tg:  You were ahead of your time; the show was a groundbreaker for women.

Marlo: I think it was inevitable that TV would eventually catch up with the lives of real American women. But, it was exciting to be the first. As my dear pal Billy Persky – who created the show with Sam Denoff – often says, “That Girl threw the grenade into the bunker, and Mary Richards [The Mary Tyler Moore Show], Kate & Allie and Murphy Brown got to march right in!”

tg: Travelgirl is excited to hear you are launching a clothing line, “That Woman,” in January. What inspired you to design a line of clothing?

Marlo: As you know, part of the appeal of That Girl was the fabulous wardrobe Ann wore on the show every week – mod and trendy clothing that was flying off the racks in Europe but hadn’t yet arrived in America.  It was revolutionary fashion that was a liberation from the standard house dresses and Peter Pan collars worn by the TV women of that era. To my complete delight Ann became a fashion icon – and me along with her! – and that experience instilled in me the lifelong idea that clothing can and should express who we are. But in recent years, I’ve become discouraged by clothing trends that don’t speak to women over 40 – and when they try to, they often get it wrong. So I decided to create a brand that I would want to wear, and that I think other women would wear, too – clothing that makes us feel confident and comfortable and desirable. Calling it That Woman seemed perfect to describe it.

tg:  Please tell our readers all about the clothing and where it can be purchased.

Marlo: When I sat down with my designers, we focused on coming up with a timeless look – something fun and flirty, sophisticated and casually chic. And all of the clothing and accessories have distinct and thoughtfully designed details, so that you always feel as great as you look. My feeling is: We don’t have to give up on style and fit just because we’ve reached a certain age. I’m so excited about the launch, which happens on the Home Shopping Network on January 19.

tg: It’s also another opportunity to give support to St. Jude Children’s Research Hospital. Your generosity is endless!

Marlo: My father [Danny Thomas] founded St. Jude in 1962. He worked all his life nurturing it to become the leading research and treatment center in the world for children. My sister, brother and I are proud to follow his legacy. Not just in honor of him, but for all the children and the moms and dads who come to St. Jude when there is nowhere to turn when they get the awful news that their child has a deadly cancer. And we work hard to always keep my father’s promise that no family would pay for anything – not for treatment, travel, housing or food. St. Jude is a significant part of my life. In addition to being the National Outreach Director for St. Jude, I always include the hospital in the proceeds of any project I take on.

tg:  In 2014, President Obama awarded you the Presidential Medal of Freedom for both your “trailblazing career,” and for your work and dedication to St. Jude. I am sure your dad is looking over your shoulder smiling. Can you comment on this milestone achievement?

Marlo: I was, of course, staggered by the news that I was being awarded the medal, which is the highest honor a civilian can receive. And if you look at the pictures of President Obama draping the medal on me, you can see that I’m crying. I couldn’t help thinking about my father and my immigrant grandparents, and how proud they would be that their granddaughter was receiving this recognition from the president of the country that had embraced them and that they so dearly loved. And so I humbly accepted that incredible honor in their name and in the spirit of the American dream.

tg: I’ve watched you over the years. You are a great role model and an activist for women forever.

Marlo: I really do care. It’s a part of my life and I was lucky to live with a man, my father, who believed we all are here to take care of each other.

tg: Marlo, you are a philanthropist, a multi-talented star and have lent your time and your name to the most worthwhile of causes. Do you have any sage advice for those who hope to follow in your famous footsteps?

Marlo: That’s rather humbling. I don’t know that anybody should follow in my footsteps. I think the most important asset I have is that I notice things, people and situations where I can be helpful. Whether it’s women’s rights or gay rights or children’s rights, or civil rights, all my life I’ve been involved in these causes since I was a teenager.
I think noticing and listening are assets of mine and a gift to me because I do feel that I am part of the community. That’s something I learned from my father. My father very much believed that he was part of the neighborhood and the community and therefore the world, and we are all responsible for each other. You are not really alive if you are not doing anything to help other people. It’s not to follow in my footsteps but for people to try to have a good, meaningful and purposeful life. That’s a gift.

tg: You’ve been successfully married to Phil Donahue for more than 36 years. You both seem very much in love. Can you give our readers some insight into how you keep your marriage your priority coupled with your successful career and your philanthropic work for St. Jude?

Marlo: You’re very sweet to say that, and I wish I could give you some magical answer. But we all know, anything that is successful takes a lot of work! Yes, 36 years later, my white-haired, blue-eyed Irishman and I are still head-over-heels for each other. And I think the reason for that – and the reason I’m able to keep all the other balls in the air – is because we really do put time aside for each other. That means knowing when to log off the computer and take the phone off the hook and hang out with my husband – like taking a stroll, or exercising, or going to a comedy club and laughing. The only thing that gets in my way is the fact that there are only 24 hours in a day. If I could fix that one little thing, everything would be perfect.

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GLORIA ESTEFAN: always on her feet https://travelgirlinc.com/gloria-estefan-always-on-her-feet/?utm_source=rss&utm_medium=rss&utm_campaign=gloria-estefan-always-on-her-feet Mon, 17 Oct 2016 16:52:47 +0000 http://travelgirlinc.com/?p=3392 The post GLORIA ESTEFAN: always on her feet appeared first on Travelgirl.

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Gloria Estefan
Photo BY JESUS CORDERO

 

The extraordinarily talented Gloria Estefan has been on her feet since she was a little girl. A Cuban immigrant, Gloria made her mark in America garnering numerous awards and a host of devoted fans around the world.

She became an international success in the mid-70s when she partnered with Emilio Estefan to become the lead singer of his band, Miami Latin Boys, which later became the renowned Miami Sound Machine. Gloria and Emilio married a few years later and became a dynamic force in the music industry.

Their inspiring life story plays out each night at the Marquis Theatre on Broadway in the very successful show On Your Feet! It’s a fabulous and engaging musical about their lives that will have you singing long after the evening is over!

Singer, writer and philanthropist, Gloria has overcome obstacles all her life and perservered with grace. She’s a shining example of courage — someone who always lands on her feet.

tg: We are honored to have you aboard! You are an inspiration to all of our readers. You were born in Cuba but left when you were very young. Do you have any memories from that time?

Gloria: I was so young. I am sure most of my memories are things that I’ve heard from my mom and my grandmother. There is one memory that does stand out: When the revolution in Cuba took place, my father, who was a police officer, and his father, who was a commander in the army, were both arrested by Castro.

I remember my mom, my grandmother and I were trying to get to see them so we could give them care packages, and I remember how frightening the whole situation was. I remember being very thirsty and wanting water while we were waiting for them. One of the guys nearby pulled this metal cup from the wall and put water in it. My mom, as a mom would do, was trying to stop me from drinking it. The man got very upset and said if the water was good enough for him it was good enough for everyone, and I drank it. I got a horrible infection in my mouth from it and was ill for several weeks. That incident has stuck with me from the Cuba of that day. I do have beautiful, nostalgic memories from the stories my mother, grandmother and whole family told me, and those are always with me too.

“I spent my whole young life loving my dad from afar.”

tg: You must have been so proud of your dad and of all he did to bring your family to the United States.

Gloria: My dad was a very idealistic man. Originally, he had been chosen to escort [Marta Fernández Miranda de] Batista, the First Lady of Cuba, and people were confused by that and thought he was her bodyguard. He was not a bodyguard; my father was a very moral police officer and he wanted to be in the military. His father, my grandfather, was in the military and he didn’t want to be accused of nepotism, so he actually ripped up my father’s application to the army. When my dad asked my grandfather what had happened, my grandfather told him that people might think because he was in the military, that my father would get special privileges if he joined also. That’s why my dad became a police officer.

My father was an amazing man. He knew very clearly what was coming in Cuba and knew that it was important to take me and my mom out of there as quickly as possible. He traveled to Miami on the ferry to find a place for us to live. He brought us to America and then he disappeared. He left us a note, but he couldn’t tell us that he was going to train for the Bay of Pigs invasion. He came back the night before the invasion; I remember it clearly because the next day, which was the day of the invasion, was actually his birthday, April 17. After the invasion he became a political prisoner for two years and when he came back he joined the U.S. Army. The Army offered all the Cubans who had been involved in the Bay of Pigs the opportunity to enter the Army as officers if they spoke English. My dad took an intensive English course at Fort Benning, Georgia, and was gone for six months.
I spent my whole young life loving my dad from afar. Our happiest years were when we were stationed in Fort Jackson, South Carolina, before my dad went to Vietnam. I have beautiful memories of our family life for two years, but when my dad came home to us in Miami, after Vietnam, he was very ill, and we eventually found out it was from Agent Orange poisoning.

Gloria's Family
Gloria with her mother and father, Gloria and José Manuel Fajardo.

I really didn’t have the opportunity to have conversations with my dad. By the time we were able to be together he was already very ill and I was taking care of him. My father was quite a man; all of his friends admired him. He was the type of man everyone wanted on their team. He was the head of the Tanks Division in the Bay of Pigs, and I’ve heard amazing stories of his great courage and strength of character. He rarely spoke of it; he didn’t like to toot his own horn. I have a lot of his personality. He was very quiet but also funny and a bit sarcastic, and his brothers and his mom, they were all musical. He was the only one in his family who didn’t officially sing or play an instrument, but he was very musical in his own way. He was a gorgeous man. He was an athlete, and I have the Bronze Medal he won for the Pan Am Games in Mexico in 1955. He was on the Cuban volleyball team. He was also an amazing jockey. My dad was an all-around wonderful guy.

tg: When you were young you played the guitar and wrote poetry. Did you aspire to become a singer? Did your mother inspire you? Tell us about your cousin and her influences on your career.

Gloria: No aspirations at all. Music was my escape while I was home helping my mother and taking care of my father. It was my own personal catharsis. I would lock myself up in my room and just sing and cry. The tears would come; I wanted to be strong for my mom through the whole process of my father’s illness. I didn’t want my mother to see the cracks, so music was my escape.

I don’t enjoy being the center of attention; it’s not my nature. My mom was the diva in the family. She still has a very big personality. She actually won a contest to be Shirley Temple’s double. Hollywood had an international contest because they wanted to dub Shirley Temple’s movies in Spanish and my grandfather had a conniption and said there was no way my mother could go and he nipped that career in the bud.

Growing up around my mom, it was natural to me that she would be the center of attention and the star. She was always the person who would sing and tell jokes at family parties. It was not my intention to perform, but I did start sending my cousin Merci Navarro tapes of me singing. Merci’s father was stationed in the Air Force in Hawaii and Merci sent me back tapes of herself playing the guitar, and when she got to Miami we would sing duets and harmonize together.

Merci was really driven. I remember we sent a tape to The Ed Sullivan Show; we were going to call ourselves the Foreign Imports. At the time, I was only doing that for her. Later on when I joined the band I brought Merci along with me. I was told they couldn’t hire anyone else, and I said I was just doing this for fun and that whatever they paid me I would split with my cousin Merci. I also knew my mother would be happier if I wasn’t alone out there with a bunch of guys playing music.

We eventually named our publishing company Foreign Imported Productions from the old name Merci and I were going to use. I started in the band just for fun. I had several jobs at the time: I was in the college work-study program; I was an interpreter at the Miami International Airport for French and English. French had been my minor in college and although I was a psychology and communications major, I loved languages. I joined the band because I thought it would be a great opportunity to make music with actual musicians and it all grew naturally from there. I never really thought about being famous by any stretch of the imagination. It just happened.

tg: Fast forward to 1975 when you met Emilio. He heard you sing, and you could say the rest became history. The Miami Latin Boys became the Miami Sound Machine and you became an international success.

Gloria: Yes indeed. Emilio had a band in Cuba when he was eight years old. When he came to the States he had to go to high school at night so he could work. It was tough for his parents to find jobs; they didn’t speak English, and they were already older so Emilio always had to work. He started the band because he loved music. He started playing the accordion for tips in restaurants and by the time I joined in 1975 his band had grown to nine pieces. He had a full horn section and percussion, and they rehearsed in the apartment that he shared with his parents.

We had been trying to form a band for a one-night retreat, and Emilio had been invited over to give us some tips on how to get a band together. He listened to me sing that night. He had brought his accordion over and was wearing some very short shorts. He gave us some tips and we thanked him and went our separate ways, back to our lives and to our schools.

That summer my mother insisted I go with her to a wedding of the daughter of one of my dad’s army buddies. When I walked into the reception hall a band was performing and the lead guy was playing Do the Hustle on his accordion, which I thought was very brave. He had charisma. When I got closer to the band I recognized him, and he remembered meeting me the night he came over with his accordion. He asked me to sing a few songs with the band. I knew all of these Cuban standards I had learned to sing with my grandma. I loved Cuban music and I sang two classic tunes, and at the end of the night Emilio asked me if I would be interested in joining the band because they didn’t have a lead singer. I told him I couldn’t. I knew my mother would kill me and at the time I was super busy. I had two other jobs; I was still an interpreter at the airport, and I was teaching guitar at a community school two nights a week plus going to school full time. Emilio tracked me down two weeks later and said, “Look, we just do this for fun. We rehearse one night a week or possibly two and we play on the weekends.”

He asked me to bring my mom to a rehearsal so I brought my mother, my grandmother and my sister, and I remember standing with my back against the wall in this tiny apartment. I told my mom I really wanted to join the band. She wasn’t happy about it, but I was 18 at the time. I joined the band and that’s how it all started.

Emilio and Gloria Estefan
Photo BY JESUS CORDERO

tg: You became very successful, married Emilio and had a son together. In 1990 your tour bus was involved in a terrible accident with a tractor-trailer and you were seriously injured. How did you manage to come back from such a traumatic injury? I am amazed at your determination. You couldn’t walk, but you persevered and became an example for all of us.

Gloria: Thank you very much. My experience with my dad was a very difficult one and at the same time I learned a lot. I knew a lot about the spine and how it works. My dad had MS and was in a wheelchair, and I knew exactly what my family was in store for if I ended up in that chair. But I would have found a way to live a life where I give back, and I would have kept writing. The accident and the realization of what I faced made me fight very hard. I also had people’s prayers. I had been to Catholic school and prayer was always a very ethereal concept. I could physically feel people’s prayers when I was in the hospital. It was a force I could never imagine and I channeled it. I meditated every day lying in the bed. I would channel those prayers, and finally when I got home, I would rehab seven to eight hours a day.

In the beginning I couldn’t walk but I would do whatever I was capable of doing. I would float in the pool and strengthen myself that way. I also used biofeedback and massage, but the bottom line was I had a bit of a crises and I realized the situation I was in. I let myself grieve, but knew I had to move forward. I did my utmost to give myself the best outcome possible, and I worked very hard and never let myself get down. I pumped myself into getting out of bed and starting over.

I had very small goals each day so I could achieve something.Even though they were small goals in my mind, I focused on what I could do each day. At first I was only thinking about walking and being independent again. I wasn’t thinking about getting back on that stage. Four months after my accident, when I was finally able to put on my underwear by myself, I wanted to throw a party! At that point I thought, “If I can do this then I can be an example to all of these people who are sending me amazing letters and prayers.”
These are people who have never met me but were so incredibly kind, gracious and generous with their time and their love. I thought maybe it’s all about this; about coming out of things and giving back. Then it became a goal of mine to try to help with whatever people in need may be going through in their lives. I had a bigger purpose than just getting back on stage to sing again. I wanted to show people that no matter what happens to you, you can have a hand in the outcome.

tg: I’m so proud of you; you have amazing strength of character.

Gloria: Thank you. A lot of the strength came with me as a kid. Going through the experiences I had as a child wouldn’t allow me to just let myself wallow. I had a son and a husband who needed me; I had a family. I had my mother and I was her rock and her support, and I had my younger sister and it was important for me to do my best for them. It was a good motivator. I also had my fans who had sent so much love my way and that was such a good part of the inspiration that moved me forward.

tg: The musical On Your Feet!, which is based on your life story, is getting rave reviews. What prompted you to write it?

Gloria: I was approached 25 years ago by the Nederlander Organization about writing something Latin for Broadway. It would have been something like Into the Heights, but I was at the peak of my career and knew something like this would be time consuming. Emilio and I knew this would require lots of our time, dedication and work and if we took it on we weren’t going to do it halfway. We decided that someday in the future, if the opportunity arose again, we would take this on and go for it.

On Your Feet! is a story about our lives — to share the contributions that immigrants have made to this country. That’s a wonderful thing to do.  I’m proud of the show and of the wonderful performers. I told Ana Villafañe, the lead in On Your Feet!, that she has the hardest job in show business. There is nothing more difficult than what she has taken on; working in a Broadway show. The singing, the dancing — the musical performers work harder and more often than any other entertainers. I have great respect for them.
I also told the performers that they have the opportunity, every single night to inspire someone by what they are doing on that stage. There are so many subplots in the play; there’s the situation where my mom stopped talking to me because I made the decision to take my sister on the road. My mom was against it and I didn’t do what my mom wanted me to do. I thought it was important for me to do something for my sister and my mom wouldn’t speak to me. When I had the accident my mom hadn’t spoken to me in two years.
That whole scenario plays out on stage each night. Perhaps someone in the audience is experiencing a similar thing in his or her family. The play shows the importance of communication and how life can change in one moment. It teaches you not to waste a second of your life. There is also the accident that happened when we were at the top of our game. When we were rear-ended by that bus, Emilio was actually on the phone with his brother in Miami who was heading our office there. He was reading Emilio the headline from the Miami Herald that essentially said “Gloria and Emilio have the world in their hands.” As he was reading that line we were rear-ended by that bus and everything shifted. You go from the best moment in your life to the worst in one split second.

“We have to stay on our feet, evolve and grow, and that’s why we wanted to do this show.”

Emilio and Gloria
Gloria Estefan and her husband Emilio Estefan. Last year they were honored to receive a Presidential Medal of Freedom from Barrack Obama — one of many awards they have received over the years. Photo: Omar Cruz

Our music, the music that the audience has heard through the years, coupled with the amazing performances of the actors, singers and dancers in On Your Feet! is the essence of the play. The time spans from when Emilio met me to when I got back on stage at the American Music Awards after the accident.  Alexander Dinelaris Jr., who won an Oscar for Birdman, wrote our amazing book; he is also an immigrant and we were on the same page.
When we were talking to him about writing this book he told me he had done so much research on our lives; the one thing that struck him was how many times we had gotten back up on our feet. That is exactly why we chose the title On Your Feet! It’s not just the song Get On Your Feet, which had become such a big hit, but he said you’ve had adversity and gotten through it and succeeded. You had to leave your country and start over here in the States. You had to overcome those who said your music would never work and people who told you to change your name and your sound. He was right; we stuck to our guns and that’s why the play is called On Your Feet! It’s what we as human beings need to do every day of our lives no matter what happens. We have to stay on our feet, evolve and grow, and that’s why we wanted to do this show. It’s on the Great White Way, one of the most iconic places in the world, and it’s quite an honor and a privilege to have our life’s story being told in that venue in that way.

tg: You are multi-talented. Talk about the children’s books you’ve written.

Gloria: I am a writer so any time I can expand on this I do! The beauty of writing the Noel books was watching my dog Noel, who was this amazingly inspirational force in my life. My mom was a teacher, and my goal was to have these books become a resource for teachers, and it has become that.  My first book was about maintaining who you are and what makes you special and how that is a very big gift. What you may think is a shortcoming may become your most important contribution to the world. I was a big Dr. Seuss fan so I’ve kind of written a 31-page song. I worked closely with the illustrator with pictures of the actual Noel, and everything in the book was inspired in some way from the experience of having her. I am working on the third one, Noel and Lulu, which will be about sibling rivalry. I try to have a moral in the book and be very true. It’s a lot of fun for me to be a writer and expand and grow. Writing is really what I love the most; of the four careers writing has been the biggest motivator because through my writing I can reach people that I may never meet. I perform on stage and feel very comfortable there. I receive letters all the time about how my songs inspire my fans and got them through a tough moment. Songs were my saviors when I was growing up and a way for me to connect with someone that I may never meet. As a writer I have a very strong interest in what makes us the same rather than different.

tg: As publisher of a national travel publication, I’d like to know if there is any place on your bucket list that you would like to visit; some place you’ve never been to before?

Gloria: My gosh, we’ve traveled so, so much. I would like to visit Bhutan. I’ve heard that it’s a very special place. I watched a documentary on Bhutan that said it was the happiest place on Earth. I was very curious about that. It’s high in the mountains near Tibet and it’s supposed to be very spiritual. You have to be accepted as a tourist there and I am anxious to visit.

tg: What’s your best vacation spot, your happiest place on earth?

Gloria: It’s my home in Vero Beach. I love being there, and I always say it’s really my happiest place on earth.

tg: You’ve made great inroads with spinal cord research through your Gloria Estefan Foundation.

Gloria: My father was in a wheelchair, and I had the debilitating accident that resulted in my not being able to walk for a while, so I know firsthand the struggles families and individuals face with these types of injuries. It’s so important to me to help find a cure for spinal cord injuries. Our original purpose with the Foundation was to be part of spinal cord research. The Foundation works alongside the Miami Foundation to cure paralysis and we are already in healing trials. We have no doubt that ultimately a cure will be found and that’s our goal — to help make this happen.

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Getting to Know Scarlett https://travelgirlinc.com/getting-to-know-scarlett/?utm_source=rss&utm_medium=rss&utm_campaign=getting-to-know-scarlett Mon, 26 Sep 2016 15:31:23 +0000 http://travelgirlinc.com/tgwp/?p=2984 The post Getting to Know Scarlett appeared first on Travelgirl.

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There was a lot of enriching activity when I was growing up in New York.

She was only eight years old when she made her professional acting debut in the off-Broadway production of Sophistry with Ethan Hawke. Today Scarlett Johansson is a screen icon with a long list of legendary film credits, whose career exploded after her breakout role opposite Bill Murray in Lost in Translation. In fact, she’s so successful that the website Box Office Mojo recently listed her as Hollywood’s top-grossing actress, with film earnings of more than $3.3 billion.

Perhaps you’ve seen The Horse Whisperer, Ghost World, Girl with a Pearl Earring, Vicky Cristina Barcelona, The Nanny Diaries, The Other Boleyn Girl, Hitchcock or The Avengers — those are just a few of the films that show off her incredible screen presence.

The multi-talented superstar is also a Tony award winner for her performance in A View From the Bridge. She’s gracious, gorgeous and philanthropic and known for her sultry, deep voice. Currently, her voice has a starring role in The Jungle Book — she says she had a glorious time voicing the role of Kaa, the snake. Ms. Johansson can also be seen in her recurring role as the fictional superhero Black Widow (Natasha Romanova) in Marvel’s Captain America: Civil War. It’s an honor to have her on the cover of our summer issue.

TG: It’s a pleasure to welcome you to the cover of Travelgirl Magazine. We are honored to have you. You grew up in one of our favorite cities, New York. Did growing up in a city so rich in theater and film have something to do with your desire to become an actress?

SJ: There was a lot of enriching activity when I was growing up in New York. Back when I was young, casting directors would organize their Los Angeles casting and then would fly to New York to see all the actors working there before making their final decisions. I don’t know exactly what formulated my decision but growing up in New York certainly made it easier to become a successful professional actor. I grew up going to the theater and dance performances. I had so many opportunities because New York is such an incredibly alive and diverse city. It’s inspiring artistically and is filled with prospects that allow you to learn and hone your craft.

TG: Your grandfather was a screenwriter and director and your mother became a producer. Did the fact that they were involved in film help guide your choice to become an actor?

SJ: My mother became a producer after I was already working; she started producing when I was 15, and by that time I had been working for eight years. I never knew my grandfather; he was my father’s father and he was a successful radio producer in Copenhagen, which is such a different world than the Hollywood world that I grew up with. My mom was always a great movie lover; she is somewhat of an encyclopedia for film, and I think she has incredible taste as far as movies go. I guess my interest in film must have stemmed from her enthusiasm for cinema. I think the fact that I took it on as a calling allowed my mother to experience the other side, the production side of film. She got to see the practical side of movie making, and she probably would have never had that opportunity otherwise — somewhat how one hand helps the other. I cannot imagine what it must be like to have a child become successful; it must be a thrill but you would have to ask her.

TG: It sounds somewhat like you mentored each other.

SJ: I think in a way we did. Of course, it is always much easier to imagine a parent mentoring a child, but as you get older and things change, you learn a lot from one another. We inspired each other in different ways over time.

TG: Would you talk about your singing and the impact musical theater had on you?

SJ: I took many, many vocal lessons when I was growing up. When I was a kid, part of becoming an actor was training you to become a triple threat. They wanted you to become an actor, a singer and a dancer. I never managed the dancing part fully but I always loved to sing. I used to imagine that I would star in a great musical like Oklahoma; growing up I always loved Broadway. Also, I have such a deep voice. This very specific deep voice came out of me — this tiny, blonde person — and it was a really unusual voice for a kid. I put singing on the back burner. My dreams of being in a musical such as Meet Me in St. Louis kind of faded away for a time. As I got older, I had several boyfriends who were musicians and I always liked to sing. After hearing me sing on a friend’s album, Warner Brothers contacted me. They knew I loved to sing and loved the style of my voice, and they wanted to know if there were any types of musical projects I wanted to do. Eventually I did an album for a collection of Tom Waits covers. It was an amazing experience and I enjoyed every moment. I’ve continued to work on several musical projects. I voiced Jungle Book and I sang Trust in Me from the original Disney score produced by Mark Robson. It was terrific and fun and I enjoyed it tremendously. I have had a lot of great opportunities to delve back into music and it’s so nice to return to that genre every so often.

TG: You were a student of acting school; would you recommend that for those budding young hopefuls who want to become actors one day?

SJ: I think drama school is an amazing way not only to explore methods of acting, but also to build confidence. It’s a terrific way to learn how to express yourself in a safe environment and to learn how to be free with your thoughts and your voice. It allows you to put yourself into challenging situations. If you want to become an actor then drama school is a wonderful path to help you accomplish your dreams. Acting is incredibly competitive. If you are going to follow that path it’s important to understand what you need to do to get there. It affords you the opportunity to figure out if acting is something you like and want to pursue. I absolutely recommend it; it was a wonderful experience for me.

TG: Which is more rewarding for you, acting in a film or acting on stage?

SJ: Both are rewarding, but in very different ways. When you work on stage you are living and breathing with the audience. The people in the audience are both experiencing a part of the performance and also part of the experience. It’s the mutual give-and-take that is just exhilarating. It’s dangerous, as you don’t really know what will happen. You can imagine doing the same play, six months straight, eight plays a week, and you wonder ‘How will I go on every night?’ — but you just don’t know what will happen each night and it’s a great opportunity. Film is more cerebral, it’s a very different medium and a big part of it is your relationship with the camera and the operator. You have a much smaller audience. You are focusing on one very particular moment and the elements that lead up to that moment. It’s a totally different experience, but both are very rewarding in their own way.

One of my favorite travel destinations is New Orleans; I love that city and can never get there enough.

TG: Do you have a favorite travel destination that you love to visit when you have a moment off from your busy career?

SJ: One of my favorite travel destinations is New Orleans; I love that city and can never get there enough. I have good friends that live in the area, and I will always return there my whole life. It’s just such a magical place. The spirit of the people is so sexy. New Orleans is soulful and welcoming — just such a great town to be in — so full of character.

TG: Travelgirl agrees with you. Our editor-in-chief moved to New Orleans a few years ago and couldn’t be happier living in such a vibrant place. Is there a travel destination you haven’t visited — one that’s on your bucket list?

SJ: I have been to India before and visited Varanasi and New Delhi, but that trip was just a few weeks; it wasn’t nearly long enough. I would love to be able to explore all the different parts of the country. The people are so incredibly inviting, warm and wonderful. I want to take a train around India and just get lost there for some part of my life. It’s a place I will definitely return to; I loved the people, the country and the warmth I felt there.

TG: Would you talk about Soles 4 Souls? You’ve been incredibly supportive of this and so many other worthwhile charities.

SJ: Soles 4 Souls is an awesome organization. I’ve helped fundraise for their cause. It’s a charity that’s so easy to support; you don’t even have to think about it. You can literally clean out your closet and make a difference in someone’s life. Spring-cleaning feels like something you can’t say no to. I also continue to work with Red, a huge fundraiser in the fight against the spread of HIV AIDS. Red partners with corporations like American Express and Converse to continue the effort for the conscious consumer to support the Global Fund, which supports the Atlas team in Africa that is struggling with HIV AIDS, and continues to provide not only anti-viral treatments but also to provide education to the people living with these diseases. The number-one preventive measure is to educate people. It’s a great cause and a great charity that I’m so proud to be associated with.

The post Getting to Know Scarlett appeared first on Travelgirl.

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Checking In with Jaclyn Smith https://travelgirlinc.com/checking-in-with-jaclyn-smith/?utm_source=rss&utm_medium=rss&utm_campaign=checking-in-with-jaclyn-smith Tue, 26 Jul 2016 20:10:00 +0000 http://travelgirlinc.com/tgwp/?p=2998 The post Checking In with Jaclyn Smith appeared first on Travelgirl.

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My first love is always family — my children and my husband. They make my world go round.

Charlie’s Angels catapulted Jaclyn Smith to fame in the 1970s, and this great beauty has captivated us ever since. Talented, gracious and kind, she’s also a phenomenally successful entrepreneur. For the past 31 years her Jaclyn Smith brand has anchored Kmart’s fashion line, offering the public great value and affordable, fashionable clothing. She also has a line of fabrics, wigs and skincare and somehow finds the time to work ardently for several charities. But the most important part of her life is her family, including husband, Dr. Brad Allen, a renowned medical researcher, and her children, Spencer Margaret and Gaston. Travelgirl is honored to have this glamorous star grace our cover.

tg: It’s a pleasure to welcome you to the cover of Travelgirl Magazine! We are honored to have you. You grew up in Texas with wonderful values; you started taking dancing lessons when you were a small child. You attended Trinity University in San Antonio, where you studied but continued to love to dance. What was your goal when you left college?

JS: My goal was to open a ballet school and probably live in Houston down the street from my family because I was so attached to them. When I went to New York to get additional training and widen my horizons all of a sudden I found myself testing for commercials and pilots. Over time I realized this was something I really loved. When I first went to New York I made it two months — from October 1 until December 1 — and then went home. In that time I realized, wow, I really liked New York. I liked the lifestyle, the art, dance, theatre and fashion. It was a place where I felt really at home. I went back to New York and my career started. An agent discovered me when I was dancing in Central Park in a show. His name was Harry Abrams, and he started sending me out on commercials, and one thing led to another. It was different then; you went to a dance call and all of a sudden you would be reading for a part in a play. It was less structured when I started.

tg: How did growing up in Texas impact your life? You’ve stayed quite grounded despite your celebrity status.

JS: I had the greatest parents in the world. I was very close to my grandfather who was a Methodist minister and lived to be almost 102. I look at my upbringing as all that was good and right and my family gave me that. It gave me a balance in life and the way my parents lived their lives was an example to me that I aspire to even today. I respected my parents’ choices and the way they chose to live. That was what was most important to me. Celebrity is great but you have to be grounded or it separates you from your friends, from life, from everything. When you are at the top of your career everything is done for you; decisions are made and everything is at your fingertips. You have to realize that celebrity is wonderful but it isn’t real life. I love the life my parents chose to live; that was real life to me. Even though I am not living in Texas and my parents are gone now, they are with me with every breath I take.

tg: I remember you starred in commercials as the Breck Girl for Breck Shampoo. How were you “discovered” for the commercials?

JS: The Breck commercial got me my first acting job, which was on McCloud. The producer of McCloud saw me in a Breck commercial. Dennis Weaver brought me in and I thought, ‘I don’t know if I’m up to this,’ and all of a sudden Dennis Weaver told me I was going to do this, and he got me a great director named Lou Antonio who I still work with today. Lou teaches at the Actor’s Studio and is an award-winning director and was also an actor. That was the beginning of my acting career.

tg: Let’s talk about Charlie’s Angels. Your role brought you immense success. Did you realize at the time the impact that role would have on your career? It must have been a fun time in your life.

JS: It was a wonderful training ground and the beginning of a whole new world and life for me. Friendships were made and our lives changed in a split second because of the popularity of that show. It was a winning concept and I loved doing it; it’s part of my history and I’m grateful for it.

tg: You’ve had phenomenal success as a businesswoman. What inspired that addition to your career? Tell me about the development of your own brand.

JS: Thirty-one years ago Kmart approached me about designing a brand. I first turned them down because I wasn’t quite sure about fashion and Kmart. I was asked to at least attend a meeting, which I agreed to do. I realized after the meeting that designing fashion at affordable prices might be challenging work, so I agreed to it. I traveled the country every month to launch my line at Kmart. The merchandise was beautiful, and I built a very loyal customer base. It evolved, and that’s how I got into business. I learned about price points and how to cut the cost of a particular garment. Kmart is a master of producing in mass. We have a team of really talented people and we can give the public value: beautiful clothes at affordable prices. The success spilled over into other areas including home and design. Being a businesswoman, I didn’t just put my name on the brand. I was hands-on with all aspects of the business from hang tags to fabrics, styling, commercials and even the print ads.

Celebrity is great but you have to be grounded or
it separates you from your friends, from life, from everything.

Branding is an everyday process; you can’t let down; you have to constantly reinvent. It’s challenging, but it’s a great feeling to be able to give back and have a loyal customer. Kmart is also a morally conscious company and is the biggest supporter of St. Jude Children’s Research Hospital in Memphis. I am a breast cancer survivor, and Kmart also supports breast cancer research. A portion of the sales of a certain collection goes to this great cause. I love working with fabrics; my fabric line is by Fabricut and my particular line is called Trend. I also have my wigs, and even though I didn’t have to have chemo, I saw many people who did. Hair is so much of a woman’s identity. We made these wigs very affordable and they are gorgeous. My friend Jose Eber came in and worked with us on them, and they are out there with Paula Young. You can also see the wigs on my website: jaclynsmith.com. The value is just tremendous.

tg: Which is your favorite role, your career in acting or in business?

JS: I don’t think my entrepreneurial success would have come without my acting career, so I am very grateful for that. The acting is something so personal. It is a joy, and it defined me and gave me emotional and financial independence. With acting I could pick up my kids and travel. The business part of my career is more challenging because it’s ongoing, but I think God has a plan. I still do the odd movie if I love it. I recently did a Hallmark movie because they are heartwarming and always have a happy ending. My first love is always family — my children and my husband. They make my world go round. I would have to say that because of the way my career started, acting is my favorite. It made all the others possible.

tg: Would you talk a bit about the skin care products you developed with your husband, Dr. Brad Allen? Where can they be purchased?

JS: The products are absolutely wonderful and are available on my website: jaclynsmith.com. You don’t have to purchase the whole set. If you prefer, you can purchase the retinol cream or the eye cream, and they are a very good value. My husband put his heart into these and developed products adding cutting edge, anti-aging ingredients. I’m really proud of these products. My day cream is three creams in one and I don’t go a day without it. It includes a UVA and UVB sunblock, a primer, a moisturizer — and it contains pearl dust and diamond dust, which reflect light. When you reflect light fewer lines show.

tg: You support so many wonderful charities through your philanthropy. Would you talk about Ability First?

JS: Ability First is a wonderful charity that I’ve helped for 40 years. It started out as the Crippled Children’s Society of Southern California, but we have to be politically correct so they changed the name to Ability First, which helps both children and adults with disabilities. I started with this charity after Charlie’s Angels and went to a Christmas party to sign autographs and just fell in love with what they do. I visited camps and was intrigued because these kids in wheelchairs were playing basketball and baseball and they were swinging from a special platform that held their wheelchairs. I saw that the world was their oyster too. I was so enchanted with the foundation! It’s so close to my heart and every year we host a fundraiser at Universal for this special organization.

tg: Do you have a favorite travel destination?

JS: Yes, my home first, and at one time I would also have said Houston, Texas, but I don’t have my parents there anymore. I also love to visit my brother and sister-in-law. A dream place I want to visit is Berlin, and I also want to travel to Amsterdam. I love Paris, London and Italy; those I’ve been to and they are all so romantic. My dad served in World War II, and I want to see some of the history that Daddy spoke about during the war so I want to visit those sites as well. I found all of my parents’ love letters during the war and they are better than any book or movie.

tg: Is there one item you never leave home without when you pack your bags?

JS: I always travel with pictures of my family and with a necklace my mother had made for me.

tg: Do you have any advice for those young hopefuls who hope to one day walk in your shoes?

JS: You have to work hard at whatever you choose to do — especially today. You need range if you want to be an actress. Apply to a reputable acting school; that’s very important. If you want to be involved in marketing there are wonderful schools you can attend. Get the proper education and work really hard. Being well trained is important because the competition is so tough.

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LISA + HARRY The Scoop from this Terrific Twosome https://travelgirlinc.com/lisa-harry-the-scoop-from-this-terrific-twosome/?utm_source=rss&utm_medium=rss&utm_campaign=lisa-harry-the-scoop-from-this-terrific-twosome Thu, 05 May 2016 01:23:37 +0000 http://travelgirlinc.com/tgwp/?p=3146 The post LISA + HARRY The Scoop from this Terrific Twosome appeared first on Travelgirl.

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They are one of Hollywood’s most elegant couples: Harry Hamlin and Lisa Rinna have been in the public eye for more than 20 years. They have successfully navigated the theatrical world and been able to maintain a strong and loving marriage despite the demands of the film and television industry.

Their fruitful careers shine with notable accolades and memorable roles. Harry is well known for both LA Law and Mad Men and in 1987 was named the Sexiest Man Alive by People magazine. Lisa is famous for playing Billie Reed on Days of Our Lives and Taylor McBride on Melrose Place. More recently, Lisa has twice been a contestant on The Celebrity Apprentice, and she’s again starring as herself on the popular reality show, The Real Housewives of Beverly Hills. Harry’s an accomplished author. His book Full Frontal Nudity: The Making of an Accidental Actor has just been released in paperback. He’s also a co-founder at Tri Alpha Energy, a California-based alternative energy company created for the development of aneutronic fusion power, and he will soon appear as Anna Faris’s love interest, Fred, on the hit sitcom Mom.

“You’ve got to be passionate about all the things you do. You won’t always succeed, but always know that the flip side of failure is success.”

tg: Harry, your father was an aeronautical engineer, a rocket scientist. He was extremely gifted. How did your father’s career impact your childhood?

HH: My father was a pragmatist, being a rocket scientist. He was a nuts and bolts kind of guy. He taught me how to work with tools — how to take an engine out of a car right down to the drive shaft and build it back up again. He was a very mechanical person and he taught me mechanics and carpentry. He also taught me how to camp and to love the outdoors. We spent a lot of time climbing around the High Sierras and I still enjoy it to this day.

tg: That’s pretty cool to have a dad who is so knowledgeable and accomplished but who still makes time to take his son camping!

HH: Back in the ’50s, rocket scientists weren’t being paid much. The best way for us to get away was to pack sleeping bags in the car and head out into the desert or the mountains to go camping. My mom often went with us; I have photos of her out in the desert making dinner for us.

tg: You graduated from Yale and headed straight for success. You became an actor and then in 1987 you were named the Sexiest Man Alive by People magazine. Was that a career booster at the time; was it the huge title it is today?

HH: At the beginning, people thought the title was weird. It wasn’t that cool but now, since George Clooney and Brad Pitt have had the title, it’s a really cool thing. I found out about being named sexiest man by looking up at a storefront in Australia and seeing my picture in a window. I was there promoting LA Law and our car stopped and I looked up and saw all of these huge pictures of me all over the place. It was actually the cover of People magazine that had been blown up and put in the storefront window. It was kind of shocking, and in those days it wasn’t quite what it is today. I was the third Sexiest Man Alive cover and it’s an interesting club we all belong to. To my knowledge, there’s never been a reunion and there have been 30 of us thus far. It would be interesting to get us all together.

tg: It would be great photo-op and editorial for People magazine. You are incredibly famous for many roles, including those on LA Law and Mad Men. Was there one role that resonated more with you — one that you enjoyed the most?

HH: I like every role I take. They say your first movie role is
the one you remember the most. The mini-series Space was an interesting role for me. I liked it a lot and it was close to what my father did — about going to the moon. I enjoyed working on that role.

tg: There are many young hopefuls out there who would love to follow in your footsteps. What advice do you have to share?

HH: I wouldn’t necessarily recommend being me, but I would say remain true to yourself; find your own passion and follow it; be patient and never give up. One of my favorite quotes is from Savas Dimopoulos, a physics professor at Stanford who worked on the Large Hadron Collider. His quote is, “Jumping from failure to failure with undying enthusiasm is the secret to success.” I have that quote plastered on my refrigerator in bold letters so my kids will see it every day. You’ve got to be passionate about all the things you do. You won’t always succeed, but always know that the flip side of failure is success.

tg: You’ve been an advocate and quite passionate about fusion energy for many years.

HH: I am. My company, Tri Alpha Energy, an alternative energy company, recently came out of what we call stealth mode. If you keep your eye on The New York Times and Time magazine you will see quite a bit about it. If you go to Science Magazine and you put in the name Tri Alpha Energy you will see an article about it there, and you can also read about it in MIT Technology Review, Orange County Register and Physics Today, all of which have come out recently. It’s quite a phenomenal achievement for these scientists I have shepherded for the last 20 years. There are still hurdles between now and when we flip the switch, but I have great confidence in our scientists. We have a group of Nobel Laureates on our advisory board, and I think the scientists who are working on this are some of the best in the world.

Full Frontal Nudity
Full Frontal Nudity by Harry Hamlin. Just came out in paperback. Some of the reviewers called it “laugh out loud!”

tg: You are also an accomplished author with your book Full Frontal Nudity: The Making of an Accidental Actor.

HH: My book just came out in paperback. I’m happy that some of the reviewers called it “laugh out loud!” There is a slight mention of my film career in the first paragraph but otherwise it doesn’t mention my film career at all. The book is about my early life and it ends before my film career begins.

tg: You and Lisa are role models for successful marriages.
How have you been able to stay secure in a happy, lovingmarriage while living in the spotlight and traveling apart so often?

HH: My motto is “Happy Wife, Happy Life!” I make sure Lisa gets much of what she wants when she wants it. She’s happy … I’m happy. Also, we listen to each other and usually admit when we’re wrong. Since “absence makes the heart grow fonder,” the more we travel apart, the fonder of each other we become. And finally, we are in love. That helps.

tg: Lisa, anything to add? You’ve got one of Hollywood’s most successful marriages.

LR: I think it’s just luck, and I think it’s also mutual respect and staying in one place for a period of time and not being separated for too long.

tg: You have appeared together in film and on stage. It must be an incredible experience to be able to collaborate on something you both love doing. You both appeared in Chicago in 2009. Would you talk about that experience?

HH: We love working together. Chicago was especially great. It doesn’t get better than Broadway, and Broadway as husband and wife is very special. It doesn’t happen that often and we are extremely lucky to have had that experience.

tg: Lisa, it must have been wonderful to share the stage.

LR: I love working with Harry; it’s one of greatest experiences ever. He is the most professional actor I have worked with. I adore working with him and I would love to do it again.

tg: Harry, our readers will want to know; do you have a favorite travel destination — a place you both love to visit?

HH: I think our favorite destination together was Tahiti. We went to Tahiti and Bora Bora. I loved the Bora Bora Hotel, which is now closed. For me, being an avid scuba diver, Micronesia is the coolest place I have been. I’ve been there three times; the diving is spectacular and the cultural experience is out of this world. On the bucket list is to go back to Egypt with Lisa and the kids. The Nile Valley excursion is life changing. Of course, while in Africa, a safari with the family!

tg: Lisa, where’s your favorite travel destination?

LR: I would say Tahiti was my favorite. I would like to go to Micronesia, Egypt, Vietnam, Phuket, Thailand, Spain and Portugal. I want to go everywhere. I have a big fat bucket list
of travel. Hong Kong, Singapore…

tg: You both travel often; is there one item you never leave home without?

HH: I never travel out of the country without my birth certificate, a color copy of my passport and a couple of passport photos in case I find myself without a passport in Afghanistan and I have to forge one!

LR: Alcohol antibacterial wipes. I bring them everywhere. I wipe down my hotel rooms with them.

tg: Lisa, Donald Trump is a frontrunner in the presidential campaign. You worked with him twice on Celebrity Apprentice. What are your thoughts on Mr. Trump?

LR: Donald Trump was nothing but lovely to me during my two experiences on Celebrity Apprentice. What you see is what you get.

tg: Tell me about your current role on Real Housewives of Beverly Hills. I recall there was some reported controversy with Harry when you agreed to take on the role.

LR: Real Housewives of Beverly Hills has not had any adverse effects on our relationship at all. It actually made it stronger. It made me have a voice and has helped me define my voice in a way that has been very helpful in my career and my life. Being on the show has brought Harry and me closer together.

tg: Harry, there’s been quite a bit of talk that you would divorce Lisa if she took the role. I’m sure that’s not the case, so to clear the air and set the record straight; would you
comment on this?

HH: Lisa came to me and said that she had an opportunity to be on the Real Housewives of Beverly Hills. The first thing I said to her was, “No, if you take that job I still have my divorce lawyer’s number on my speed dial.” She said, “Okay, then I won’t do it.” Then I thought about it and I did some research on what the effect of doing that show globally is on someone who does it, branding wise. I realized that for actors who do a show like the Housewives, it’s like putting whatever ancillary business they have on steroids. Lisa’s clothing business, Lisa Rinna collection, is on QVC and has done very well and she wants to continue its growth and success. So I went back 24 hours later and told her that I had changed my mind and I thought she should do it. She went on the show and turned it to her advantage; she killed it.

tg: Harry, what’s the best thing about being married to Lisa?

HH: Everything about Lisa is phenomenal. She’s just amazing, and somewhere along the line I must have done something right to be married to Lisa Rinna. She’s amazing, and I’m a lucky man.

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Daisy Fuentes https://travelgirlinc.com/daisy-fuentes/?utm_source=rss&utm_medium=rss&utm_campaign=daisy-fuentes Mon, 04 Jan 2016 23:14:42 +0000 http://travelgirlinc.com/tgwp/?p=3131 The post Daisy Fuentes appeared first on Travelgirl.

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“I like to get the best of all the little things that I see and like in my travels — and I try to incorporate these into my daily life.”

Covergirl Daisy Fuentes
Photo by: Steve Erle

During the past 22 years, Daisy Fuentes has helped define the perception of Latina beauty in the entertainment, fashion and merchandising industries. Born in Havana, raised in Madrid and New Jersey and currently residing in Los Angeles, she is the rare combination of All-American and Latina.

Long before there were any prominent young Latin women on American television, Daisy became the first VJ to be signed to both MTV U.S. and MTV Latino, which launched her career as an international TV star. Just as she was becoming increasingly popular with the MTV audience, cosmetics giant Revlon came calling and signed her to a multi-year, worldwide contract as a spokesperson — another first for a Latina personality. Since then, Daisy has appeared on countless magazine covers, starred in many national TV ads, hosted numerous TV shows and specials, been named to People Magazine’s 50 Most Beautiful, and created the Daisy Fuentes brand, which includes everything from sportswear and sunglasses to fragrances, bedding and more.

Despite her many accomplishments, Daisy is more than her talents and signature style; she’s also a celebrity who believes in the importance of contributing and giving back. Since 1998, Daisy has been the celebrity chairman for the annual St. Jude Angels & Stars gala in Miami, and she has also worked with many breast cancer awareness causes, including the Revlon/UCLA Women’s Breast Cancer Research program.

tg: Daisy, you were born in Cuba, moved to Spain and then to New Jersey. What role did your parents have in your career choice to become a model?

DF: Modeling didn’t really even dawn on me until I was in the eighth grade. I started to hear some comments, some people saying “you know you are really tall; you ought to think about modeling.” I started thinking, you know, maybe I could do that. At that time I didn’t have a clear vision of what I wanted to do. I learned a lot from my parents, from watching how hard they worked to get ahead and make life better for my sister and me. They worked so hard to better themselves. You can imagine their difficulties; they were young parents moving from country to country with babies and not knowing the language. They struggled and went through hard times and they were a wonderful example to me. They taught me to focus on what the task is, not to dwell on what the obstacles are and not to complain when things aren’t going great.

No one in my family was in show business. When I heard the comments from others about modeling it was just a dream, a fantasy. Little did I know at the time that what you envision and what you think about can come true. My career rather fell into my lap. It was an opportunity that I made the most of when a neighbor knocked on my door and said, I am short a model for Saturday for the studio I work in (located in New York). He told me I was the right height and said that I would fit into the clothes. He told me he wanted to speak to my parents to see if I could do the modeling job. And that’s how it started for me.

tg: You were the first VJ to be signed to both MTV U.S. and MTV Latino. I am curious, as a woman and as a Latina, did you experience any prejudice?

DF: I was too young and too excited to feel any prejudice. It was out there and it did exist but I didn’t notice it at the time. Looking back now I can see it but at that time my mind wasn’t focused on the negative. I just went with the opportunity and I saw it as a fabulous break for me. I felt so lucky to have this chance. When I started the word crossover didn’t even exist.I didn’t know what it was; I was just happy to have a gig. I did what I do in my everyday life; I did my job in both Spanish and English. It came naturally to me.

“Women are and have to be stronger than men; not just in business but also in life.”

tg: Have you had more opportunities because you are a Latina?

DF: Where a lot of people view being Hispanic as an obstacle I see it as an opportunity. I have something extra to offer; another whole culture. I have gotten opportunities to do campaigns and commercials in both languages and that’s certainly an added plus. I know there is still a lot of prejudice out there; we’ve come a long way since I started in the business and I never saw my being Hispanic as an obstacle.

tg: You became an actress as well as a model. How did that evolve?

DF: I tried acting for a bit but it’s not what I do; it’s not what I’m interested in. Starting out many people thought that’s what I should do so I took their advice and gave acting a chance. I was very frustrated and I got stressed going to the auditions. People would open their doors for me but when I walked in people would say you don’t look Hispanic enough, you don’t look or sound Latina. That really confused me because I thought they wanted me to act. I can do an Italian accent, a Spanish accent but they couldn’t think past that. They had an idea of what a Hispanic looked like and sounded like and it was warped. I decided to get out of acting to break the stereotype in a very realistic way by just doing more reality shows and showing more of who I am.

tg: You have to be a strong woman in this world to succeed.

DF: Women are and have to be stronger than men; not just in business but also in life.

tg: I love all that Danny Thomas accomplished and that Marlo Thomas is continuing with the wonderful St. Jude Children’s Research Hospital in Memphis, Tennessee. How did you become involved in this most worthwhile charity?

DF: St. Jude is really something extraordinary. I was invited to one of their events in Beverly Hills many, many years ago. I knew very little about the organization, but I was happy to go to the event and support it. Once I was there I was overwhelmed
by the turnout and by what I learned. What I saw on the video screen, the messages that were coming across and the statistics that I learned that night were phenomenal. I had a chance to speak with Marlo at that event and that’s when she invited me to the hospital. Cut to — I took Marlo (Thomas) up on that invitation and once I made the trip to the hospital I vowed to tell everyone I knew what I had seen. I wanted to help St. Jude in any way that I could. I knew the best way to help was to spread the message and tell people what I saw and what I had learned.

tg: You’ve been heading a fundraiser in Miami for St. Jude for more than 10 years, the Fed Ex/ St. Jude Angels & Stars Gala.

DF: Yes, that fundraiser started quite small and has become one of the most popular fundraisers in the area. I’m very proud of that.

Daisy Fuentes St. Jude
Daisy with St. Jude patient Julia, at age 13 in 2010. Photo courtesy of St. Jude.

tg: Would you talk for a moment about the Thanks and Giving Campaign for St. Jude?

DF: The Thanks and Giving Campaign is a brilliant idea done around the time of the year when we all need to be reminded of what we need to be thankful for. I am thankful for the health of children and people in my life, and I really try to remember those who aren’t as fortunate during this time and how difficult it must be for them. The Thanks and Giving Campaign includes participating retailers who give a portion of their proceeds to benefit the children at St. Jude who really need it. It’s a wonderful charity. Visit St.Jude Thanks and Giving to learn more.

tg: Travelgirl readers want to know, does Daisy Fuentes have a favorite travel destination?

DF: I have so many favorite destinations. I love to go to St. Barth’s and I love to go to Aspen. They are two different but luxurious locations. Big Sur is also one of my favorites for a real Zen, mind-calming experience. I am getting ready to travel to Singapore and I’m excited because I’ve never been there. I want to travel to as many places as I can; I love to observe how different people live around the world. I like to get the best of all the little things that I see and like in my travels — and I try to incorporate these into my daily life.

tg: What’s on your travel bucket list?

DF: An African safari. I would love to experience one, and I want to take an expedition type cruise to Alaska.

tg: Is there one item you never leave home without?

DF: Sweaters, they’re one of the best-selling categories in my line and I always like to take three or four with me that I can throw over different outfits. They keep
me cozy even in warm climates when I’m in air conditioning.

tg: This year you’ve graciously designed a bracelet and all proceeds benefit St. Jude.

DF: The bracelet is selling so well. I’m thrilled. Design and fashion have always interested me. I have a brand of sportswear and accessories that I’ve been selling for many years and my brand is doing really well. I started my sportswear line as a hobby and it’s turned into a big business.

tg: Travelgirl loves the Daisy Fuentes line of clothing and accessories. We see you’ve also included wigs and hairpieces called LUXHAIR WOW by Daisy Fuentes and you’ve launched a lovely line of eyeglasses.

DF: I work with some fabulous designers and the brand is growing; I’m having a lot of fun with it. From sportswear to prescription eyewear to bedding it’s all exciting for us. Our newest line is the hair extension line and I’m very excited about it.

tg: It sounds perfect for the female traveler; it’s Travelgirl wear!

DF: I definitely use my line [The Daisy Fuentes Collection] when I travel; the clothing is very versatile, very easy to travel with. Many of the items are wrinkle free and washable, and there are a lot of mix and match pieces. You can take four pieces with you on a trip and have eight outfits. It’s for sale at Kohl’s and we are expanding to many other retailers as well as online. For more information, visit www.daisyfuentes.com.

tg: How do you find balance?

DF: There is always time to do what drives you the most; always time to do good things. The way I look at it, I have as many hours in the day as Mother Teresa so I just go ahead and do what needs to be done.

tg: Have you returned to Cuba since you were born?

DF: I have not but I am looking forward to the day I can go with my family and not worry about any lack of human rights on the island. It’s easy to go for a lot of people but for those of us who were exiles from the island, we have mixed emotions. I do have a strong desire to see the place where I was born. My parents have a very personal opinion of communism and until there are complete human rights on the island my parents probably won’t go back.

“The way I look at it, I have as many hours in the day as Mother Teresa so I just go ahead and do what needs to be done.”

tg: You’ve worked tirelessly for many breast cancer charitable foundations. Is there a personal tie?

DF: My mother is a breast cancer survivor. She was diagnosed when she was only 39 and I learned a lot from her experience. At that time the discussions weren’t as open as they are now. It was very difficult for my mom but she learned a lot and made it through. She was a champ! I remember what she, and what we all, went through. Your world changes when the word cancer enters your vocabulary.

tg: What advice can you give to young ladies who hope to achieve success like yours?

DF: It’s very different today for young people than it was when I was growing up and entering the business. It’s important for young women to know that preparation is everything. If you want something, envision it, focus on it and learn as much as you can about it. Get your foot in the door somehow. Whether that means being a production assistant or a go-fer at a fashion magazine, just get involved, learn and prepare yourself, go to school. Find out what you want to do and who you want to be and head in that direction.

tg: Any special message for Travelgirl readers?

DF: I want to remind everyone that with the holidays coming we all want to give back. It’s an important time of year to think of giving. Please look into www.stjude.org. It is a great place to give a tax-deductible donation. I think that deep inside we all want to contribute to something that we feel is important and I can assure you, The St. Jude Children’s Research Hospital is quite extraordinary.

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